zirconium: photo of squeezy Buddha on cell phone, next to a coffee mug (buddha and cocoa)
roses roses roses

This won't be news to most readers, but in my corner of the world, one can simultaneously rejoice in how well the roses are doing whilst slogging through a slough of despond and frustration over one's mistakes, the malice of others, etc.

Perspective helps. A few years ago, I picked up a battered copy of Loren Eiseley's The Star Thrower at a library bag sale. The chap was a much-honored anthropologist and writer in his day, with an endowed chair at Penn. Auden wrote the intro to this book. There are more than two dozen honorary degrees listed in an appendix . . .

. . . and I skimmed the book here and there, and decided it was not for me, and not even to put in the mail to another friend. Into one of the neighborhood's Little Free Library boxes it will go. A couple of lines just caught my eye -- "the thin blue bones / Of a hare picked clean by ants. A man can attach / Meanings enough to the wind when his luck is out" -- but the full poem ("Winter Sign") isn't tight enough for my taste (even though I agree with the overall sentiment), and that sums up the book as a whole for me: there are so many more poems and essays waiting for me that will hit me harder, closer, thrilling-er, and life is so damned short as it is.

And full (although going to bed before 1 a.m. instead of trying to power through an assignment was definitely the right call). The weekend includes paddleboarding and a wedding and a birthday dinner, along with a story to beta and music to practice and clutter to dispel, etc. Onward!

East End United Methodist Church
The kids are all right: this show of irises at a local Methodist church included handmade signs in support of LGBTQ rights.
zirconium: of blue bicycle in front of Blue Bicycle Books, Charleston (blue bicycle rear)
[The subject line's from an Anne Carson passage about history and elegy that Amanda Gorman uses as the epigraph to Call Us What We Carry, which happened to be in my library's Lucky Day Collection when I picked up AJ Hall's For Real last week.]

As forecast, the snow is pelting down, and the foot traffic downtown is the lightest I've seen since spring 2020. The main library branch and the Frist Art Museum both issued "closed Sunday" emails.

Instead of dismantling the wreath, I harvested parsley and mint, and spread pine straw under one of the rosebushes. I also yanked out a quartet of mottled hollyhocks. Maybe I'll scatter some old seeds around after the current snowdump melts.

One of my morning errands was putting some books in the Little Free Library outside the nearby elementary school. A car with the license plate "HFLPUFF" was parked in front of a car with a homemade white supremacy decal.
zirconium: tulip in my front yard, April 2014 (tulip)
Tu b'shevat arrives tomorrow, and Middle Tennessee is supposed to get whumped by snow by then. Coincidentally, a crepe myrtle the Beautiful Young Man had ordered at the start of November was delivered this week, so he's planting it as I type.

indoor roses

The miniature rose bush I bought at the supermarket a year ago put out some glorious blooms. They were also havens for dozens of tiny bugs, though, so I chucked them into compost sooner than later. The Christmas cacti also put on a good show throughout December.

I'm going to chop up a fir wreath for mulch after I post this. I usually deal with it the day after Epiphany, but I'm still ill (!@#@!#@ lungs), though I'm managing a walk across the neighborhood most evenings. Many of my neighbors still have Christmas/fairy lights up, and I'm enjoying them as I stride through the gloom. There's also a new-to-me greenhouse in one of the alleys I tend to cut through, that may or may not be a commercial venture.

There's sorrow: relationships foundering, people dying. There's hilarity: recent reading has included K.J. Charles's Band Sinister ("You've been waiting your whole life for someone to write a Gothic novel about you, haven't you?"), Flight of Magpies, and A Gentleman's Position ("If you're obliged to cross a man at all, nail him to one while you're at it"), and I may confine my Instagram posts this winter to #CatsInPictureBooks. There's the annual gorgeous Lunar New Year card from a cousin in Kaohsiung. There are the tomatoes I canned and froze over the past two summers that I've been using now in soups and sauces. There's being terrified for the future of my city (those FUCKERS in the legislature . . .) and country and doing what I can anyway. There's pushing through paperwork and code, and trying to keep the pitcher plants alive, and adding smatterings of sparkle and substance to ongoing conversations when I can, and holding my peace and keeping my own counsel plenty of other times, and all this adds up to life being a lot even though the coughing + Omicron means I've been sidelined from singing since November, and I haven't seen anyone socially since December 18. (I do like plenty of time alone, but I object to my style being cramped. Grrrr.)

But! Neighbors brought by smoked cream cheese and Texas caviar, and friends sent galaxies and other goodies, and I made ginger tea with homegrown ginger root earlier this week and fixed a keyboard lag issue this morning. On to weeding and wreaths and mailings and daube marseillaise.

meme

Mar. 29th, 2020 05:00 pm
zirconium: snapshot of my healthiest hollyhock plant (French hollyhock)
Via [personal profile] el_staplador

Last time I traveled abroad: May 2019 - Cancún - wedding celebration for my friends David and Josh

Last time I slept in a hotel: February 2020 - Lexington, Kentucky - wedding celebration for my big brother and his husband

Last time I flew in a plane: July 2019, returning from the Amherst Early Music Festival

Last time I took a train: same

Last time I took public transit: October 2019, Nashville, when I last took my old car to Markee for an oil change. I was able to pin down the month because Music City Transit had just been discontinued, which I learned while stomping across downtown in high heels.

Last time I had a houseguest: January, when big sister Suz and Uncle Harry stayed with us on their way from Detroit to New Orleans.

Last time I got my hair cut: January. I'm hoping to get another one before I have to renew my license, but if not, that's what sponge curlers and heated clamps are for.

Last time I went to the movies: February 29. Agrippina, live in HD. I was definitely one of the younger people there.

Last time I went to the theatre: January. Wendy Whelan and friends - contemporary dance at TPAC.

Last time I went to a concert: January. Reginald Mobley - countertenor recital at Blair.

Last time I went to an art museum: I was last in the office on March 13, the day after we opened Jitish Kallat: Return to Sender and Mel Ziegler: Flag Exchange. I sang at the Tennessee State Museum in December but didn't have time to look around. Maybe Cookeville's Doll Museum and History Museum with Rae, earlier in the fall? ... Oh, wait, I think I poked around the Country Music Hall of Fame some afternoon in January. (Life has been hectic. The winter was a blur.)

Last time I sat down in a restaurant: February - Chinatown, after Agrippina

Last time I went to a party: February - brunch hosted by big brother and his sweetie

Last time I played a board game: Um.... I legit do not remember. Maybe with someone's kids a few years ago. The last time I cleaned a board game was in November 2014, my last month of sanitizing toys as a volunteer at Vanderbilt Children's Hospital. The last board game I enjoyed reading was a hilarious mailer from Lucia | Marquand titled So ... You Want to Publish an Art Book. It was shaped like an ampersand and started with these spaces:

So... You Want to Publish an Art Book
zirconium: picrew of me in sports bra and flowery crop pants (Default)
Charmed by: picture books about mail-critters, including Angela Cronk's Monster Mail (disclosure: I'm one of the book's backers) and Marianne Dubuc's Mr. Postmouse books.

Starting the month with:
  • remembering how my iron works (oh hi, reset button)

  • not remembering how to update my website

  • skipping the gym (something in my back twanging hard)

  • not listening to Wait Wait Don't Tell Me (I cannot take any more takes on cults this week)

  • enjoying some garlic I pickled back in November (the plague has been knocking out colleagues left and right...)

  • not engaging further with a forum troll ("Never wrestle with a pig...")

  • planning a crockpot full of Slap chili for a company cookoff. (A friend gave me a spice mix called "Slap Ya Mama" which I am doctoring into my "Slap the Patriarchy" variation. Because.)

    Just read: Shiv Ramdas's And Now His Lordship Is Laughing (short story; h/t Mary)

    Also reading: the Wildsam field guide to Charleston

    Rehearsing: Lauridsen's O Magnum Mysterium, which the chamber choir read on Wednesday and will perform tomorrow (February 2), along with Gwyneth Walker's Prayer of Compassion. Services are broadcast and archived on YouTube: https://www.youtube.com/channel/UCVB2xDLhfjQnrXx-2zWmfeA/featured

    Ahead:
  • Poetic Medicine plans to publish "Eichengrun in Terezin" later this winter

  • Grand Magnolia: immersive theater at Oz Nashville this June. I'm in the cast! [The subject line is what was said to me at the end of the callback audition, which included creating scenes inspired by the story of the first interracial wedding in Chattanooga -- in particular, the blockade set up by friends of the couple to prevent disruptions. Hence me channeling a Buick Skylark getting bumped into and sinking down as its tires flattened out ...]
  • zirconium: photo of squeezy Buddha on cell phone, next to a coffee mug (buddha and cocoa)
    Repeatedly staying up past 2 a.m. to meet deadlines exacts a price, which made itself known earlier today in my absent-mindedly tossing good pepper morsels into the compost pot instead of the to-be-pickled bowl, and not feeling up to fishing them out. It is okay. It was a 99-cent bag of already-iffy capiscum annuums, some far gone enough that the bag was leaving a liquid trail when I moved it around the kitchen counter, so I have now dealt with it, resulting in two jars (2 1/2 cups) of quick-pickled good bits; a colleague handed me a clementine on her way out the door on Friday, so the peel from that is also in this batch, along with the last of the Russian honey another friend gave to me last December. I boiled more brine than necessary after adding two more honey-jar-fuls of water and vinegar to the pot (having prepared not quite enough for the two mason jars), so I have now also pickled some of the clementines I already had on hand.

    The carrot greens have been chopped up, with the bulk put into the freezer. I stir-fried some with this morning's eggs and this afternoon's pork chop:



    The copper pan erupted into a chef's-hat-sized crown of flame when I was heating oil for the pork, but two lids tamed it before it woke the alarm.

    I have detached the radishes from the sludge of dirt + greenery their tops had become.

    I am also working on assorted notes to put into the mail. General announcement: if you haven't received a thank-you note from me by Lunar New Year for something sent this season, either it or my response were probably misdelivered, so let me know that you were thinking of and/or expecting to hear from me and we'll consider it a sacrifice to the transportation gods. I have heard horror stories from other friends about UPS (driver claimed that no one was home to receive an expedited package when they didn't even bother knocking) and FedEx (driver forged signature), and my neighborhood post office failed to scan a package with a two-day Priority Mail label for three days. Not to mention packages and missives intended for at least three different neighbors ending up on my porch, so who knows what the hell hasn't reached me.

    On a more cheerful note, one of the cards was to two top-tier musicians who apparently live on my block (which means there's at least three, as there's also a virtuoso regularly practicing an instrument they don't play). No, I'm not going to disturb them, but I'd be lying if I claimed I wasn't delighted about finding out. I saw one of them at the Ryman! I've probably said hi to them without recognizing them while tugging at weeds or picking up stray candy wrappers! (There are almost certainly other semi-famous people I've said hi to in similar circumstances. Considering how scruffy the neighborhood was when we moved in, I am astounded in both happy and horrified ways at the B&B down the street being able to charge $225-600/night. [Molly, it's the same house but different owners/concept as the place for whom we pretended to be wedding guests.])

    Speaking of fame, I have learned that the Asian woman for whom I am regularly mistaken is now the chief content officer for Alaska Public Media. I wonder if me being asked if I'm her will ever actually stop.

    I have put two cracked plates into the bin. I have used my gardening shears to cut open a mini-bottle of lotion. (Winter itch, y'all.) Aquaphor's spray lotion felt chilly when I tried it this morning, so maybe it goes into the gym bag. I am 0 for 2 on obtaining straight answers on how my gym plans to handle my membership after my current plan expires on the 28th, but I am persistent, and I can always ride my bike, fight old rosebushes (there are dozens to dig out from a friend's hillside, and speaking of stubborn, those m___ers are HARD to remove from where they are currently entrenched), work on getting through Day 1 of the Splits app on my phone (heron pose and I are not on speaking terms yet), and crank up Yandel. Also, temperatures are supposed to climb back to nearly 70 F on Christmas Day, and the BYM has created monogram and name decals for my paddleboard, so Louise and I have a date.

    The past week alone had a lot. A significant number of people in my circles are grieving and/or struggling in other ways. A company I've trusted for more than twenty years may have lost my business. The Dr. Pepper I drank this afternoon did not banish my headache. I dreamt last night about dancers I'm unlikely to see before February at the earliest, and quite possibly never again in some cases (because accidents, aging, and other mayhem are all too likely to claim some of them before our paths intersect again). Going through old address books in the course of writing holiday cards has a way of stirring up ghosts. I read an obituary just this morning for a woman I had dinner with twenty-odd years ago. I shot like thirty baskets yesterday before finally making one.

    But: I borrowed Death Wins a Goldfish from the library, and the BYM was chuckling at some of the pages and then started analyzing the artist's depiction of a motorcycle ("That looks like part of... but what the hell is that supposed to be from...?"), which I'm still giggling about days later. I get to meet a friend's baby in two days. I reached Amethyst League in Duolingo. I finished my first new longer-than-a-haiku poem since August. I saw both Cats (sneak preview courtesy of Dance FTW!) and It's a Beautiful Day in the Neighborhood last Tuesday, the latter with a late-night beer. I do like being a grown-up, even during the stretches when it takes all my determination to get on with any of the things I actually want to get done. One breath at a time. One half-line at a time. One comforter laundered. One envelope addressed. One spatula washed. One shirt ironed. And on.
    zirconium: Photo of 1860 cast of Lincoln's hand (Lincoln hand)
    Not really, of course - I love cities with the fervor of a bluestocking who grew up in a county without a public library. That said, I have belatedly come across Emma Stone's lip-sync of Blues Traveler's "Hook" (starts at 1:55 in this video: https://www.youtube.com/watch?v=bLBSoC_2IY8) and, yeah. (And her take on "All I Do Is Win" starts at 5:40.)

    I've been binge-watching Lip Sync Battle clips. The gateway was Tom Holland's Umbrella. Other favorites:

    The Rock: Shake It Off
    The reactions to Matt Iseman channeling Cher (1:42)
    Julianne Hough: I Just Had Sex
    Taye Diggs: Let Me Love You
    Big Bird: I Gotta Feeling (I don't even like that song...)
    Lupita Nyong'o: Bailando

    Part of the fun has been finding out the names/performers of songs I first encountered at the Y, including Booty, Low, Fireball, Gasolina, and "M.I.L.F. $" (and it is also funny that some of the raunchiest songs I know are being taught by unapologetically devout Christian women. They are good teachers, and I am more than a little torn about one of the classes being in conflict with English country dancing).

    Speaking of Not Really Safe for Work content, I dove into Deadspin's "Why Your Team Sucks: 2019 Tennessee Titans" this afternoon. The Titans were leading 17-13 in the 4th quarter when I opened the tab ... and ended up losing 19-17. Ooof. I love my city, but some of the vicious jabs directed at it are called for. (I'm nodding especially at "full of racists feigning as libertarians." The language of my tweeps turned a particularly vehement shade of blue on Friday when our new mayor-elect declared that "Nashville cannot and will not be a Sanctuary City.")

    Also, Deadspin gives every team in the NFL the treatment. I am looking forward to pairing some of the others with a bourbon or beer some other rest day. (These days I seem to be most invested in are the Titans, the Eagles, and the Bears, in that order. Then there's the teams-friends-care-about-that-aren't-the-Patriots-or-Steelers-or-Packers tier, featuring the Lions, the Saints, the Panthers, the Browns, and the Vikings. Then there's the teams-I-may-add-to-this-list-even-if-they're-the-Patriots-Steelers-or-Packers corner, where I'll be paying attention to whomever has the cojones to hire Ryan Russell or Kaep.

    Before returning Good Trouble: Lessons from the Civil Rights Playbook to the library, I snapped some hasty last-night shots to share with y'all bit by bit over the next few weeks. (The link will take you to the publisher's page, which contains a better-quality sample of the artwork.) The author is donating all proceeds to The Center for Popular Democracy.

    Today's glimpse:


    "...if you wonder what you would've done if you were alive during the civil rights movement, remember one thing: YOU ARE."
    zirconium: snapshot of my healthiest hollyhock plant (French hollyhock)
    Today's subject line is from Sandra Beasley's Vocation.

    Tomato Art Fest 2019

    Sampled at this year's Tomato Art Fest:

    * Picker's vodka soda (grapefruit and tangerine)
    * A chunk of orange-fleshed watermelon
    * Walker's Bloody Mary mix
    * Frozen hazelnut coffee beads
    * Chocolate balsamic vinegar (at Galena Garlic on Fatherland, which I had driven past many times...)

    Freebies accepted:
    * A nylon fan-frisbee
    * A trio of temp tattoos
    * Some bottles of Sweet Baby Ray's sauces

    Purchased:
    * Three pints of cherry tomatoes

    Some of the sights and wares seen:
    * A toddler being pulled out of the doggie ice bath she had charged into.
    * Paddle fans with a lawyer's face
    * "Believe Women" merch with 50% of profits going to the ACLU
    * A RBG paint-by-numbers kit. (I was amused by the concept, but found the actual design was unappealing.)
    * Lots of doggies. Bulky Crossfit guy with tiny toy dog might have been my favorite sighting.

    Today's cooking plans:
    * cherry tomato + bean salad
    * roast chicken
    * chocolate-dipped banana slices

    Most rewarding plant in my currently pitiful yard:

    balloon flower
    zirconium: picrew of me in sports bra and flowery crop pants (Decatur sculpture)
    Today's subject line comes from Ninna nanna, a Neapolitan Christmas lullaby. It's from a verse where Mary essentially sings, "It's time to sleep now, and the time for pain will come." Philippe Jaroussky, Christina Pluhar, and the other members of L'Arpeggiata are a joy to watch as they perform it (videos on YouTube), and I have been spending more time with it as I prepare for an audition.

    Philly hostel

    A year old, I was in Philadelphia, primarily for the Predominantly Playford Ball, staying mainly at a hostel, and wandering around the city early (for a ballet class in a super-sketchy part of town) and late, talking poetry with a bus driver, writing postcards to voters in spare moments, and gazing at variations of glass and light everywhere:

    Philly bus stop Philly bus stop Walking around Philly at night

    This year I'm prepping for tonight's dance in my own town (I'm calling "Land of Mist and Wonder," which was composed by Rachel Bell, tonight's accordionist, and subbing for another caller on "Wa' Is Me, What Mun I Do?).

    As I work on the dances and songs, I have to remind myself that it's OK that I'm not more proficient, fluid, etc. I work more than 40 hours most weeks, I have other obligations/interests and, like most other people, I need mornings where I stay in my sheep-patterned flannel pajama pants past lunchtime, sipping porcupine tea and not going anywhere -- even to the piano two rooms away -- until my shoulders are a bit looser and my my breathing more measured, my body more prepared to welcome and produce both precision and extravagance. You need both for the genres I'm drawn to -- historical dances and chamber music favor fine timing and placement over sloppiness, but it isn't dancing or music, no matter how slavishly one focuses on the rules and steps/notes, if communication and connection aren't also in the mix. People tend to respond to a partner or performer who is looking at them and inviting them into the magical world delineated by the composer/choreographer and brought to life by those moving into and within it.

    ...

    I wasn't planning to write all that this morning. (I have steps and scales to practice today, after all.) But it is December 1, and I have been thinking of Thomas Peck quite a bit anyhow, which is par for the course when I prepare for a tryout. I sang for him in 1991, as a member of Chicago's Grant Park Symphony Chorus. Here's what I wrote about him in 2000:

    He was the choir director who'd asked me where was "Bruton Town" (the title of one of my audition pieces), and I'd told him, "I'm not really sure, I just assumed it was one of those towns where people died for love." He had repeated my answer back to me -- "one of those towns where people died for love" -- with a sort of appreciative astonishment. At that time I hadn't the faintest idea he was HIV+.


    And in 2002, I wrote "Living Bread." And, sixteen years later, it is still how I feel and what I know.
    zirconium: of blue bicycle in front of Blue Bicycle Books, Charleston (blue bicycle)
    I was drawn into Christian Wiman's "He Held Radical Light" excerpt at Poetry Daily earlier today because I became curious about where he was going after calling a good chunk of another writer's body of work "flavorless as old oatmeal." But the part where I sat up straight was when my own dour mutterings about eventual nothingness ("Look, I'm not going to get wound up about not getting anywhere with x when humans are going to be extinct within a few hundred years...") suddenly showed up on my screen like a mirror:


    Nothing survives, I suddenly realized. Dante, Virgil, even sweet Shakespeare, whose lines will last as long as there are eyes to read him, will one day find that there are no eyes to read him. As a species, we are a microscopic speck of existence, which, I have full faith, will one day thrive without us.

    Still, abstract oblivion is a small shock as shocks go. When over lunch one day my friend and then poet laureate Donald Hall turned his Camel-blasted eighty-year-old Yeti decrepitude to me and said as casually as he bit into his burger, "I was thirty-eight when I realized not a word I wrote was going to last," I felt a galactic chill, as if my soul had chewed tinfoil. I was thirty-eight. It was the very inverse of a calling, an ex post facto feeling of innocence, death's echo. In a flash I knew it was true, for both of us (this is no doubt part of what he was telling me), and yet the shock was not in that fact but in the nearly fifty years of further writings Don had piled on top of that revelation. "Poetry abandoned me," he writes in his little masterrpiece Essays After Eighty, the compensatory prose of which is so spare and clear it seems inscribed on solitude itself. If there were any justice in the world, this book would be read by my great-great-great-granddaughter as she gets ready to die. But of course there is no justice in the world.


    I submitted two new poems today. I filed a rejection for four others, and made notes about a handful more to craft by the end of the month if mind and fingers and electronics cooperate. And, like quite a few other locals, I could not resist whisking out my phone yesterday when I saw this from the parking lot at work:

    downtown Nashville, 7 pm

    downtown Nashville, 7 pm

    My being in the parking lot at that point was a compromise -- because of bloody honking deadlines needing to be met, I stayed at the office past the point of getting to the dance lesson on time, but I did go to the lesson, which ended up being a fine time -- the group was practicing "St. Margaret's Hill" when I arrived, and there was enough room in the studio for me to walk through the figures on my own. The rep for the rest of the evening included "Miss De Jersey's Memorial" (the dance of the month), "Kelsterne Gardens" (as a 4-couple dance), "Key to the Cellar" and several others in Scottish sets, "The Introduction" (which I requested after we collectively struggled with right and left diagonals during "The Weevil"), "The Young Widow" (which I requested when given three dances to choose from because it was the one I hadn't done yet), and "Bonny Cuckoo." We talked about regional differences/practices, including "the Philadelphia rule," which is when you're not the caller of the dance, shut up and don't "correct" the person who is leading the dance if no one is about to get hurt. Very sensible people, those Philadelphians.

    I am too tired at the moment to be sensible, so while I knew full well that I needed to sit tail in chair and fingers to laptop to get to bed earlier, I went ahead with baking a cake (along with chicken that needed to be roasted sooner than later) and scrubbing this and that. Pacing will out. Anyhow, there are worse fates than snacking on chicken skins and listening to Monteverdi while editing docs on Italian art...
    zirconium: snapshot of my healthiest hollyhock plant (French hollyhock)
    [Today's subject line is from Mika's We Are Golden."]

    Work out. Decide against buying fancy soap on sale. (Points to me.) Work. Swear at VPN fail. Clean. Correspond. Cook beef shanks with chicken and jasmine rice and assorted spices and frozen spinach. More cleaning. Extended chat with service provider over billing/cancellation issue. More correspondence...

    Sleep for 11 hours. Fry pancakes. Clean. Card-writing. Log receipts. More birddogging of provider, this time on the phone. Recognize two of the musicians in Dark Carnival (guest band in "Says You" rerun) as members of Bare Necessities (renowned English country dance ensemble). Begin loading car to escape neighborhood before game traffic ties up outbound routes. Swear at drippy remnants of lunch leftovers I'd forgotten to take in. Clean up gross drippiness and line surfaces with tote bags. Load rest of things to shlep.

    Head to suburb to pick up lantern (for winter paddling, after sundown). Stop at JVI Secret Gardens to pick up more soil (no one at the till, because a baby duck had shown up. This is not so usual for Dickerson Pike...). I also grin at the car I parked next to, which is plastered in humanitarian stickers (including the same Amnesty International decal I have on mine) ... and one of "Basic Snape," which makes me laugh my ass off (and order copies for friends as soon as I get home).

    Head to lake. Car-powered pump fails to work -- Kaylen at Nashville Paddle to the rescue. She's whom I went out specifically to see in any case, since today I am dressed for quality time in as well as on the water (unlike the kayak lesson I had with her earlier this month, which was sandwiched between work and rehearsal, with heavy rain less than a mile away):

    New bikini top

    The timing is perfect -- the other women in the group are more interested in photographing one another and chilling in the cove, which means Kaylen is free to demo the two self-rescue moves, and then to sympathize as I struggle through them. After smashing my chest against the edge of the kayak several times, I swear to get serious about building arm strength. But I do ungracefully manage to complete each one, and Kaylen and I then joke about how it's going to look when I next borrow a yak and try practicing them 30x (i.e., dealing with passers-by who don't realize I'm messing around on purpose, the better to deal with messy situations on real trips).

    A family on the bank plays a bunch of Latin tunes, and I dance-bounce to them. Kids in a kayak shout, "Nice moves!"

    I cannot resist hacking at some weeds, the better to harvest more peppers and take in one of the Julia Child roses:

    IMG_4398

    Clean. Cook (flounder and corn with leftover rice and the first of the peppers). Clean. This has been a summer of finding weird stuff left in books and binders: Two TBI ID cards from a couple of decades ago. (Irony: I bought the book for a friend hospitalized for an illness exacerbated by government issues. Cue grim jokes about how government has a way of exacerbating things even at the best of times, which are most certainly not these.*) A phone message slip, possibly from before I was born. Four postcards pasted onto two sheets of notebook paper: Edinburgh Castle's Stone of Destiny, Minnesota Boundary Waters, Hotel Viktoria Hasliberg, and Brough of Birsay.

    Ahead: Tea. Work. A rose I shall sniff from time to time. Sleep.

    * Related story -- last year I had a biopsy done for some mysteriously inflamed tissue, and I reported to a friend the results: "In a nutshell: it's not cancer. They don't know what specifically caused it, but my body has a history of overreacting to irritants, and that is basically what's been going on." The friend promptly responded, "Since last november we're all reacting to one very large irritant, so it's no surprise."
    zirconium: photo of squeezy Buddha on cell phone, next to a coffee mug (buddha and cocoa)
    My name and foot
    Etch A Sketch of my name and foot by John Taylor


    John and me Etch-A-Sketch-ing at the entrance of Nick Cave: Feat. Photo by Marlow Amick.


    Nashvillians, the show closes Sunday at 5:30 p.m. Get your tails over there!

    And while you're in the museum... there is a sweet spot in the Gordon Contemporary Arts Gallery, to the left of the intro wall for The Presence of Your Absence Is Everywhere, about six feet back, where the light brings out the everywheres in white letters surrounding the title treatment, which happen to be invisible (absent) if you aren't standing in that spot where the light hits them just so. It is So Very Cool. I love this show so much. Come see it if you live here! (And come to An Evening of Chaos and Awe, too, which will feature music inspired by her work, along with a special dish by Maneet Chauhan.)
    zirconium: of blue bicycle in front of Blue Bicycle Books, Charleston (blue bicycle rear)
    Down the street . . .

    Hanging onto my hourglass-sand-scoured ride
    as it swerves and dips, wrenches and screeches
    its way through the jagged turn of this year
    onto the fog-wreathed bridge of the next --

    the first of many gauntlets waiting ahead.
    Some may well dissolve with huffing and puffing
    but I have seen what straw can devour --

    like plague, like lava -- as it fans out within flames,
    rippling, ripping everything near the fury
    into indiscernable ruins. Ninety years hence --

    or just nineteen, or hell, even nine --
    this story will be ancient, all too possibly buried
    beneath triumphant lies. But meantime, meanwhile -- time notwithstanding --

    meanness must be countered, rugs rolled away
    for air to meet rot, hearths unwalled
    to hands trained in mending and measuring what's true.


    Down the street . . .

    ==

    For another stare-and-riff inspired by this site, see Frames at Vary the Line.
    zirconium: picrew of me in sports bra and flowery crop pants (black pearl pepper)
    There is a mental metric ton of paperwork I must plow through tonight, and I don't wanna, plus the US Open women's singles final was this afternoon, which means the garbage bins are significantly cleaner (and I even went at some of the grodier corners with q-tips), some ancient dog shmutz has been scrubbed off a kitchen window, some recent hackberry shmutz has been wiped off the car windows and handles, leftover tiles from our 2009 bathroom renovation delivered to Turnip Green, and assorted leftovers incorporated into tastier hodgepodges (the last of the white wine from the freak bottle that sent glass into my cleavage has been blended with bargain-bin oranges and fruit salad dregs; the asparagus I defrosted and then forgot about has been scrambled into some eggs), and while I shall desist from dealing with the nearly-on-the-wrong-side-of-the-compost-bowl potatoes until tomorrow (possibly putting them into a lazy woman's version of potato nik), there is bread dough rising on the other end of the kitchen counter.

    This morning I volunteered for the dragon boat festival, a fundraiser for the Cumberland River Compact. I ended up helping one of the Buddhist temples set up their tent, distributing oars, helping rowers in and out of boats and (un)tying said boats from the docks, and ferrying lifejackets to and fro. It was a good fit for what my brain and body needed after this week (which included one editing push that went past 4 a.m. and another work-thru-lunch-and-dinner haul yesterday), especially since I'm still coughing too much to dance or go to shows. After my shift, I played cornhole with one of the "Best Little Oarhouse in Tennessee" paddlers and a mother-daughter pair, and watched some of the dance-offs. One emcee was beside himself when a temple team busted into a rehearsed version of The Wobble. Next year I'll try to plan the day so that I have time to fly a kite.

    It was likewise tempting to continue avoiding the paperwork put in much more time on the yard, but I confined myself to adding water where needed and clearing enough of a bed to plant the "whirlwind" anemone into its new spot (as well as putting the rosemary and thyme into proper pots):



    When I checked on planting distance and depth, I had to look up the word "friable." Which was enough to get a new poem going as well.
    zirconium: picrew of me in sports bra and flowery crop pants (flask with feathers)
    Nitro ice cream demo

    The need to catch up on sleep and housework quashed most of my original plans for today, but I did head to Adventure Science Center for the tail end of Summer Science Day, getting there in time for the Liquid Nitrogen Ice Cream demo. It was entertaining watching some of the kids creep closer and closer to the stage, yearning to touch the magical fog (and the educators diligently warning them back lest they get burned):

    Nitro ice cream demo
    Nitro ice cream demo

    The ice cream mixture was pretty crunchy at first (solution: add more milk), and bent the first spoon used, but eventually there were two batches -- plenty to go around, and I heard more than one parent telling their kid to not go up for seconds until everyone had gotten firsts:

    Kids enjoying ice cream

    The 2:30 screening in the planetarium was of Natural Selection: Darwin's Mysteries of Mysteries. A copy of The Origin of Species is on display in the exhibit From Wolf to Woof: The Story of Dogs:

    From Wolf to Woof

    The film is lush, and I especially liked the classroom-lessons-on-cardboard scenes, which included a PAC-MAN noshing on circles with spines. On the other hand, the narrative seemed jumbled and erratically paced to me; perhaps all the hopping between different graphic styles and storylines was meant to cover multiple learning styles and attention spans, but I'm still shaking my head at the caveman with the guitar (even though I'm sure some of the other audience members thought it was hilarious when said caveman casually socked a blue-footed booby with the guitar handle).




    I started to assemble a blueberry pie Sunday night, but ran out of evening and energy. It's a good thing blueberries keep. Back to it now, and to pickling peppers, too.
    zirconium: picrew of me in sports bra and flowery crop pants (Russian tins of fish)
    [The subject line is from Barbara Jordan's "Bruegel's Crows," in Channel.]

    Some days, things mushroom like mad:

    IMG_9924

    They might even get decidedly warped:

    IMG_9951

    It's okay. There will be other days full of light...

    NC Arboretum

    and sweetness:

    NC Arboretum
    zirconium: photo of bell tower seen on a walk to the Acropolis (athens bell tower)
    [Subject line from Barbara Jordan's "We All Have Many Chances," in Channel (Beacon Press, 1990)]

    River Arts District
    Asheville, April 2016


    Also seen/heard this weekend:

    * a girl on a stool on a porch, with a clarinet

    * a father with his arms full of Maypole ribbons

    * a colleague about a friend who used to play horn for Prince, on retainer

    * the church pianist's riffs on various hymns

    * "Don't Leave Me This Way" (Harold Melvin and the Blue Notes?) at Pinewood Social
    zirconium: medical instruments @High Point Doll Museum (medical instruments (miniature))
    [Subject line from Counting Crows' "Einstein on the Beach"]

    A reputation I enjoy is that of being left-brained to a fault. I like coaxing bibliographies into consistency, and I've demonstrated a knack for devising and refining chronologies, schedules, and itineraries. I am sometimes inordinately amused when friends and associates find my pragmatism maddening: watching me add commas and conjunctions to her draft, one author muttered, "You have no poetry in your soul, do you," which cracks me up every time I think back to that session.

    This trait likely plays into why I am rarely captivated by artist statements, which are often too lofty, wifty, theoretical, and/or all-encompassing for my taste. Today, however, Heidi Ross's Flickr summary got me off the fence about going downtown to see her show at Third Man Records. The description in the Scene had me adding it to my calendar, but then I put in more than ten hours at the office yesterday, subsequently falling dead asleep in the tub with my eyeliner on, and there are SO MANY WEEDS still in the beds, plus stacks of receipts, plus a manuscript, plus lemons to slice, etc., etc., yadda yadda ishkabbible.

    But traffic was lighter than I'd feared, and parking was not a problem, and I hadn't really registered on my previous visit to Third Man (a packed-to-the-gills poetry reading that became too overwhelming for my group, which fled to a Jeni's to recover) just how beautiful its spaces are. I wished I'd brought my own camera as I walked toward the Blue Room. Within the show, I was drawn especially to the trio of Eat the Fruit (Mennonite), Good News, Bad News, Good News, and First Service, Second Service; the third image is that of a Kentucky Theater marquee, listing both a church meeting and a screening of Thriller. The pairing reproduced at the top of the Nashville Arts profile (Rip It Up and Start Again with Nine Knives) also beckoned to me.

    When I ventured into the store, the two young women inside were on the floor, shrieking with uncontrollable laughter. They were still in its grip when I slipped out a minute or two later. I couldn't make out what had happened, nor did I particularly want to. I'd bet that the trigger was not only a "you had to be there" thing but also a I'd-have-to-be-them. Better to continue on to Woodland Wine Merchant's weekly tasting, which today featured three wines that go well with grilled food. (Lately, I've been enjoying how good the wines smell -- more so than how they taste. A rabbit hole to explore some other time...) And then to the supermarket, and then back to the house, to make up stories about disconcerting mysteries while yanking at half-matted speedwell.
    zirconium: tulip in my front yard, April 2014 (tulip)
    [Today's subject line comes from Shelley's "Ode to the West Wind."]

    Earlier this evening, my department head and I stood at my office window, watching a strong wind bend the trees and menace the panels of the Gala tent. It appeared to peel a sheet of metal from its moorings, knocked over stanchions in the parking lot and, at home, flipped open all the lids of the giant roller-bins. But the rain also eventually lightened up enough for me to don a wide-brimmed hat and scrape at some of the weeds attempting to strangle my mint patch.

    Last Saturday I danced for seven hours -- two two-hour workshops, plus the Playford Ball, of which there are videos, including this one. I am thinking of splurging on a blue + green +/- dark gray tartan sash for next year, which is the sort of thing that happens when I try to figure out what should happen during a Dunant House Waltz and somehow end up studying Viking's Sheepskin moves. (The Duthies are part of Clan Ross, but I'll likely go with one of the universal patterns, like Highland Granit, or maybe wear Montgomerie in honor of Alexander, seeing how "What Mightie Motion" haunted me on first hearing for the better part of several years (to the point that I wrote to the Scottish Poetry Library to obtain the full set of verses).

    Speaking of poetry, it is April, and thus there are goings-on. At Vary the Line, Mary, Joanne, and I have written and/or collected responses to the question "What is a poem?", with my friend Lisa Dordal starting the series. Over at Pretty Terrible, Natalie Luhrs analyzes and links to some of my poems as part of her own monthlong poetry project.

    It is still too soon to put out plants that cannot withstand frost. I am edgy and eager to get them resettled, even though there is plenty of prep that still needs to be done. I can hear and see my impatience reflected among my colleagues and acquaintances: Whennnnnnnnnn? one whimpered. Whennnnnnnnnn indeed.
    zirconium: my hands, sewing a chemo cap liner (care caps hands)
    This morning's subject line comes from Glenn McKee's Late Fragment. McKee's life included working as a UU minister and performing at slams (in his 60s), though it is the title that captured my attention, since I have told my own minister and several other potential decision-makers that I want Raymond Carver's Late Fragment printed in the program of my memorial service.

    (My church has a "Wishes at Time of Death" form that the senior pastor keeps on file. Should any of you like to see it in the course of getting such things organized, if you have not done so for yourself, message or e-mail me and I will send you a copy. Speaking as someone who needs to update her other directives; one of the most liberating bits of advice I received in my 30s was from a friend who pointed out that such documents ought to be reviewed and updated every five years or so anyway, as circumstances and relationships and preferences evolve. Realizing that the documents should be treated as a snapshots rather than engravings into stone helped me get on with designating executors and beneficiaries and other arrangements. And while I don't expect my nearest and dearest to require those forms anytime soon, Stuff Happens, and I have had what-do-you-want-me-to-do-if discussions with at least two dear-to-mes within the past month because Stuff Doesn't Stop Happening and I happen to be the person the medicos and/or lawyers are likeliest to call should a bad-case-scenario come to pass. Plus, that earthquake in my parents' native province, cancer diagnoses and permutations among friends and acquaintances -- had I any delusions of immortality or other exemptions to begin with, the universe would have blasted them clear out of the water by now. [And I haven't been able to cherish such delusions since I was five, when I vividly dreamt both of being shot to death and of a future self incarcerated in prison without any knowledge of me-in-this-life. Yes, it does skew your world-view when your brain inflicts that on you before you've even gotten out of preschool.])

    But, yesterday was in fact terrific -- the kind of day I dreamed about enjoying when I was small. I spent the morning completing my Memphis Open albums and reports for Tennis Buzz, with mashed neeps for breakfast, along with leftover trout from Thursday night's dinner at Prima. I headed across town to vote in a primary, and then stopped at a department store with a gift card, which I used on a new set of steak knives. I also tried on a dress on clearance: the fabric had caught my eye as perfect for an event I'm attending in May, but, alas, the cut did not flatter my body:

    right fabric, wrong cut

    Still, considering it as a possibility brightened my day, as did the knowledge that I don't have to score a new dress for the event; there are several tried-and-true standards in my closet that would fit the bill. I had another gift certificate in hand for Sally's, where I picked up lipsticks and a sharpener to supplement my currently-too-purple supply, and yet another rebate for Three Brothers, where the sandwich and "signature drink" were delicious, the conversation near me faintly but not distractingly intriguing, and the newspapers and magazines plentiful:

    noshing at Three Brothers

    On my way home, I stopped at the library to pick up a picture book, and at Woodland Wine Merchant for their weekly tasting. I didn't care for the beers in this week's sampler, but picked up cider and sake while chatting with Tyler, one of my favorite associates. At home, there was time with the dog and time with a friend, and glossy magazines, and a poem I finished and submitted a few minutes ago.

    It is 63 F right now and the birds are singing oh so sweetly and merrily. I am short on sleep and soon going back to bed. That too is a luxury, and I am grateful.

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