zirconium

Review copy provided by Tor Books. Also the author is a personal friend and all-around nifty person.

This is the culmination of the trilogy that started with Updraft. If you're the sort of person who needs to know that something has a definite-and-for-sure ending before you buy that thing: here you are, here is the ending, it is a really-truly ending that ends. (I really want to encourage people not to do that, because it's a good way to make sure people don't get to have their endings published--especially people like Fran who have given you nice volume endings in addition to the larger series ending. But I know that such people exist, so! Here is the information you were looking for: ending!)

I don't recommend starting with Horizon. This is clearly a culmination, and there are only two books before it to give you the plot and character arcs Fran is weaving together here; it's not like you have to read twelve bugcrushers to get to what she's doing here. Kirit and Nat and their friends and relations--and grudging allies, and adversaries--are back and struggling for survival--trying to figure out, from page one, what shape their survival can even take.

For that reason, it's hard to review Horizon in very concrete terms, because there's so much that it's doing that depends on the previous books. It's exciting from the first page, it's all engineering and all social and all heart, all at once. Fran's weaving threads and perspectives together in ways that she didn't in previous books--rather than resting on previous successes, she's doing this book in a new way, and it works. It's the way this book would have to work, but I love to see that in a first series, rather than copying the structure of a first book that's had as much success as Updraft has, I love to see an author following the story and doing what it needs even if the structure isn't the same. The previous volumes didn't pull punches, and neither does Horizon, but it does that in its own way.

The ending is satisfying without being overly tidy, without being one-size-fits-all for characters who have spent this whole trilogy coming in different sizes. And...I really appreciate the way people with common goals don't always trust each other, don't always like each other--and are sometimes very grumpy at the compromises they have to make with each other. The world is like that; the world of fiction too often finds it difficult to be both satisfying and realistic, but I think Horizon manages both. With lots of astonishing creatures and feats of derring-do in between.

Please consider using our link to buy Horizon from Amazon.

Originally published at Novel Gazing Redux. You can comment here or there.

Alex Alice, Castle in the Stars Book One: The Space Race of 1869. Discussed elsewhere.

Hassan Blasim, ed., Iraq+100 Discussed elsewhere.

Chaz Brenchley, Dust-Up at the Crater School Chapter 7. Kindle. Plotty, moving forward, full of dust storms and schoolgirl antics, as one would expect for this project.

Marie Brennan, Maps to Nowhere. Discussed elsewhere.

George Eliot, Middlemarch. Kindle. And this is what happened to my early September. Middlemarch is surprising; it is delightful. It is one of the longest classics of English literature, and it is a joy to read. I kept thinking that I would want to leaven it with bits of something else, go off and take a break and read something in the middle of it. I didn’t. (I mean, I always have a book of short pieces going. But other than that.) While I was reading Middlemarch, I kept wanting to read Middlemarch, and when I was done reading it I wanted more of it. The only thing of its size that’s at all comparable in my attachment to it is John Sayles’s A Moment in the Sun, and that does not have the passionate following Middlemarch has–wherever I mentioned it I found that friends and strangers were ready to share my delight in this wandering intense chatty behemoth of a book. I’m discussing it with a friend who’s reading it with me. I’m not sure I have a lot to add for the general audience except to say, it’s funny, it’s intense, it’s gigantic emotionally as well as literally, it makes me want to read more George Eliot, it makes me want to read its giant self all over again. It is in some ways exactly what you would expect and in other ways nothing like what you’d expect. It is thoroughly itself. And oh, I love her, I love George Eliot so very much. I’m glad I read such a quotable thing when I was past the age of needing to strip-mine books for epigraphs. I can do that later. I’m glad I could just relax in and read this first time.

Masha Gessen, Words Will Break Cement: The Passion of Pussy Riot. I enjoyed another of Gessen’s books and picked this up because the library had it, more or less on a whim. And it gave me a perspective on modern Russia that nothing else has, particularly on its criminal justice system. What the prison system is doing there, what trials are like, what sorts of things are prioritized, what and who counts, what and who does not. Enraging, illuminating. There are some things Gessen just takes for granted you will know about feminist art theory and punk, but I think it may still be interesting if you don’t? but even better if you do. Also, if you have a very strong high culture/low culture divide, read this book and have that nonsense knocked out of you. Not that I have an opinion about that.

Ben Hatke, Mighty Jack and the Goblin King. Discussed elsewhere.

Steve Inskeep, Jacksonland: President Andrew Jackson, Cherokee Chief John Ross, and a Great American Land Grab. This is very much in the popular history category: short chapters, many things explained on a fairly straightforward level. Not a lot of delving deep into the obscure corners. However, Inskeep does a fairly good job of switching back and forth between the lens of the European settlers turned recent Americans and the lens of the cultures of the Choctaw, Chickasaw, Creek, Seminole, and especially Cherokee people in the region he was discussing. One of the things that this particularly underscored for me is how quickly the European/American settlers viewed the land as traditionally theirs in that part of the south: the beginning of the Cherokee Trail of Tears was twenty-three years before the US Civil War. Even the earliest of the resettlements was only thirty years before. So in some parts of the Deep South, there were indeed plantations that had been going for generations–but in large, large swaths of it, the land they were fighting so hard for was land they had just taken from its previous owners basically five minutes ago. References to traditional way of life in that context are basically like talking about GameBoys and other hand-held gaming devices as our traditional way of life: they are bullshit. I think the way we are taught this period of history in American schooling encourages us not to think of that. I will want to read much deeper works on Andrew Jackson’s presidency. In this case I will say: Inskeep is not trying to paint him as a great guy or not a racist…and I still think he ends up going too easy on him. But it’s a good starter work for this period, I think.

Ursula K. LeGuin, The Language of the Night. Reread. The last time I read this was before I was keeping a book log, which means also before I was selling short stories regularly. I was a lot less prone to argue with assertions about fantasy not needing to compromise then. (Oh nonsense, of course it does.) But one of the things that makes Ursula LeGuin a great writer is that she argues with her past self, too. She evolves. She evolves in the course of this collection. And I think she’d be far happier with people thinking and arguing than uncritically absorbing anyway.

Rebecca Mead, My Life in Middlemarch. So…I didn’t mean to go straight from Middlemarch to a book about it, but the other thing I had from the library, I bounced off, and…I wasn’t ready to be done. This is Mead’s memoir entangled with a bit of biography of Eliot. There are places where Mead is bafflingly obtuse (some areas of gender politics and the writing of sexuality, notably, but also the difference between a character who is fully human and a character who is generally sympathetic), but in general it is short and rattles along satisfyingly and tells me things I want to know about George Eliot without telling me too many things I actively didn’t want to know about Rebecca Mead.

A. Merc Rustad, So You Want to Be a Robot. This is a solid and heart-wrenching collection. It’s impossible to pick one true favorite because there are so many good choices. Definitely highly recommended, Merc hits it out of the park here. And they’re just getting started.

Gerald Vizenor, Bearheart: The Heirship Chronicles. This is when Vizenor was just getting started, and gosh I’m glad I didn’t get started with his early work, because…why, oh why, did so many men of the seventies–particularly men who wanted to claim they were ecologically minded without doing much about it–pick the same direction for their demonstrations of their own sexual daring? Well, Vizenor grew out of it. But it’s a one of those. The person who wrote the afterword was sure that objections to it would be because people thought Indians couldn’t be like that! and no, it’s that it’s trite, it’s exactly the kind of trite sexual objectification of women–especially Indian women–that you’d expect from “seventies dude trying to be sexually shocking.” He got better. I’m glad.