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(borrowed after lingering with the ones at my favorite wine store...)
Minette's Feast: The Delicious Story of Julia Child and Her Cat (Abrams, 2012) - text by Susanna Reich, illustrations by Amy Bates (pencil and watercolor)
The Grand Mosque of Paris: A Story of How Muslims Rescued Jews during the Holocaust (Holiday House, 2009), by Karen Gray Ruelle and Deborah Durland DeSaix -- the illustrations were "created with oil paint applied with brushes, paper towels, and all twenty fingers." The artists' command of line, color, and texture is impressive, and I could study the results for hours. (The story is too text-heavy for story hour, in my judgment, but the academic side of me appreciates the presence of both documentation and an index, even for a forty-page picture book.)
Charlotte in Paris (2003), Charlotte in London (2008), and Charlotte in New York (2006) by Joan MacPhail Knight - contrived but nonetheless cute fictional journals, with cameos by real people like Julie Manet, Mary Cassatt, John Lavery. and Paul Durand-Ruel. Had these been available when I was Charlotte's age, I probably would have fantasized about being Charlotte's best friend; now, I want to find time to read more about the adults and look at more paintings. Coincidences: reading about Henley 1895 the same evening a friend in England happened to be moaning about Henley 2014, and just now I was reminded about the sheep dyed yellow in honor of the Tour de France when Charlotte and her father deliver a package from Edwin Austin Abbey to Frank Millet. It contains several tubes of cadmium yellow, and Millet explains why he keeps running out of that color: "At certain times of day the entire village looks as if it's been dipped in golden honey -- including the sheep."
Minette's Feast: The Delicious Story of Julia Child and Her Cat (Abrams, 2012) - text by Susanna Reich, illustrations by Amy Bates (pencil and watercolor)
The Grand Mosque of Paris: A Story of How Muslims Rescued Jews during the Holocaust (Holiday House, 2009), by Karen Gray Ruelle and Deborah Durland DeSaix -- the illustrations were "created with oil paint applied with brushes, paper towels, and all twenty fingers." The artists' command of line, color, and texture is impressive, and I could study the results for hours. (The story is too text-heavy for story hour, in my judgment, but the academic side of me appreciates the presence of both documentation and an index, even for a forty-page picture book.)
Charlotte in Paris (2003), Charlotte in London (2008), and Charlotte in New York (2006) by Joan MacPhail Knight - contrived but nonetheless cute fictional journals, with cameos by real people like Julie Manet, Mary Cassatt, John Lavery. and Paul Durand-Ruel. Had these been available when I was Charlotte's age, I probably would have fantasized about being Charlotte's best friend; now, I want to find time to read more about the adults and look at more paintings. Coincidences: reading about Henley 1895 the same evening a friend in England happened to be moaning about Henley 2014, and just now I was reminded about the sheep dyed yellow in honor of the Tour de France when Charlotte and her father deliver a package from Edwin Austin Abbey to Frank Millet. It contains several tubes of cadmium yellow, and Millet explains why he keeps running out of that color: "At certain times of day the entire village looks as if it's been dipped in golden honey -- including the sheep."
