zirconium: photo of flask with feathers in and around it (flask with feathers)
Nitro ice cream demo

The need to catch up on sleep and housework quashed most of my original plans for today, but I did head to Adventure Science Center for the tail end of Summer Science Day, getting there in time for the Liquid Nitrogen Ice Cream demo. It was entertaining watching some of the kids creep closer and closer to the stage, yearning to touch the magical fog (and the educators diligently warning them back lest they get burned):

Nitro ice cream demo
Nitro ice cream demo

The ice cream mixture was pretty crunchy at first (solution: add more milk), and bent the first spoon used, but eventually there were two batches -- plenty to go around, and I heard more than one parent telling their kid to not go up for seconds until everyone had gotten firsts:

Kids enjoying ice cream

The 2:30 screening in the planetarium was of Natural Selection: Darwin's Mysteries of Mysteries. A copy of The Origin of Species is on display in the exhibit From Wolf to Woof: The Story of Dogs:

From Wolf to Woof

The film is lush, and I especially liked the classroom-lessons-on-cardboard scenes, which included a PAC-MAN noshing on circles with spines. On the other hand, the narrative seemed jumbled and erratically paced to me; perhaps all the hopping between different graphic styles and storylines was meant to cover multiple learning styles and attention spans, but I'm still shaking my head at the caveman with the guitar (even though I'm sure some of the other audience members thought it was hilarious when said caveman casually socked a blue-footed booby with the guitar handle).




I started to assemble a blueberry pie Sunday night, but ran out of evening and energy. It's a good thing blueberries keep. Back to it now, and to pickling peppers, too.
zirconium: Russian tins of fish (Russian tins of fish)
[The subject line is from Barbara Jordan's "Bruegel's Crows," in Channel.]

Some days, things mushroom like mad:

IMG_9924

They might even get decidedly warped:

IMG_9951

It's okay. There will be other days full of light...

NC Arboretum

and sweetness:

NC Arboretum
zirconium: photo of bell tower seen on a walk to the Acropolis (athens bell tower)
[Subject line from Barbara Jordan's "We All Have Many Chances," in Channel (Beacon Press, 1990)]

River Arts District
Asheville, April 2016


Also seen/heard this weekend:

* a girl on a stool on a porch, with a clarinet

* a father with his arms full of Maypole ribbons

* a colleague about a friend who used to play horn for Prince, on retainer

* the church pianist's riffs on various hymns

* "Don't Leave Me This Way" (Harold Melvin and the Blue Notes?) at Pinewood Social
zirconium: medical instruments @High Point Doll Museum (medical instruments (miniature))
[Subject line from Counting Crows' "Einstein on the Beach"]

A reputation I enjoy is that of being left-brained to a fault. I like coaxing bibliographies into consistency, and I've demonstrated a knack for devising and refining chronologies, schedules, and itineraries. I am sometimes inordinately amused when friends and associates find my pragmatism maddening: watching me add commas and conjunctions to her draft, one author muttered, "You have no poetry in your soul, do you," which cracks me up every time I think back to that session.

This trait likely plays into why I am rarely captivated by artist statements, which are often too lofty, wifty, theoretical, and/or all-encompassing for my taste. Today, however, Heidi Ross's Flickr summary got me off the fence about going downtown to see her show at Third Man Records. The description in the Scene had me adding it to my calendar, but then I put in more than ten hours at the office yesterday, subsequently falling dead asleep in the tub with my eyeliner on, and there are SO MANY WEEDS still in the beds, plus stacks of receipts, plus a manuscript, plus lemons to slice, etc., etc., yadda yadda ishkabbible.

But traffic was lighter than I'd feared, and parking was not a problem, and I hadn't really registered on my previous visit to Third Man (a packed-to-the-gills poetry reading that became too overwhelming for my group, which fled to a Jeni's to recover) just how beautiful its spaces are. I wished I'd brought my own camera as I walked toward the Blue Room. Within the show, I was drawn especially to the trio of Eat the Fruit (Mennonite), Good News, Bad News, Good News, and First Service, Second Service; the third image is that of a Kentucky Theater marquee, listing both a church meeting and a screening of Thriller. The pairing reproduced at the top of the Nashville Arts profile (Rip It Up and Start Again with Nine Knives) also beckoned to me.

When I ventured into the store, the two young women inside were on the floor, shrieking with uncontrollable laughter. They were still in its grip when I slipped out a minute or two later. I couldn't make out what had happened, nor did I particularly want to. I'd bet that the trigger was not only a "you had to be there" thing but also a I'd-have-to-be-them. Better to continue on to Woodland Wine Merchant's weekly tasting, which today featured three wines that go well with grilled food. (Lately, I've been enjoying how good the wines smell -- more so than how they taste. A rabbit hole to explore some other time...) And then to the supermarket, and then back to the house, to make up stories about disconcerting mysteries while yanking at half-matted speedwell.
zirconium: tulip in my front yard, April 2014 (tulip)
[Today's subject line comes from Shelley's "Ode to the West Wind."]

Earlier this evening, my department head and I stood at my office window, watching a strong wind bend the trees and menace the panels of the Gala tent. It appeared to peel a sheet of metal from its moorings, knocked over stanchions in the parking lot and, at home, flipped open all the lids of the giant roller-bins. But the rain also eventually lightened up enough for me to don a wide-brimmed hat and scrape at some of the weeds attempting to strangle my mint patch.

Last Saturday I danced for seven hours -- two two-hour workshops, plus the Playford Ball, of which there are videos, including this one. I am thinking of splurging on a blue + green +/- dark gray tartan sash for next year, which is the sort of thing that happens when I try to figure out what should happen during a Dunant House Waltz and somehow end up studying Viking's Sheepskin moves. (The Duthies are part of Clan Ross, but I'll likely go with one of the universal patterns, like Highland Granit, or maybe wear Montgomerie in honor of Alexander, seeing how "What Mightie Motion" haunted me on first hearing for the better part of several years (to the point that I wrote to the Scottish Poetry Library to obtain the full set of verses).

Speaking of poetry, it is April, and thus there are goings-on. At Vary the Line, Mary, Joanne, and I have written and/or collected responses to the question "What is a poem?", with my friend Lisa Dordal starting the series. Over at Pretty Terrible, Natalie Luhrs analyzes and links to some of my poems as part of her own monthlong poetry project.

It is still too soon to put out plants that cannot withstand frost. I am edgy and eager to get them resettled, even though there is plenty of prep that still needs to be done. I can hear and see my impatience reflected among my colleagues and acquaintances: Whennnnnnnnnn? one whimpered. Whennnnnnnnnn indeed.
zirconium: my hands, sewing a chemo cap liner (care caps hands)
This morning's subject line comes from Glenn McKee's Late Fragment. McKee's life included working as a UU minister and performing at slams (in his 60s), though it is the title that captured my attention, since I have told my own minister and several other potential decision-makers that I want Raymond Carver's Late Fragment printed in the program of my memorial service.

(My church has a "Wishes at Time of Death" form that the senior pastor keeps on file. Should any of you like to see it in the course of getting such things organized, if you have not done so for yourself, message or e-mail me and I will send you a copy. Speaking as someone who needs to update her other directives; one of the most liberating bits of advice I received in my 30s was from a friend who pointed out that such documents ought to be reviewed and updated every five years or so anyway, as circumstances and relationships and preferences evolve. Realizing that the documents should be treated as a snapshots rather than engravings into stone helped me get on with designating executors and beneficiaries and other arrangements. And while I don't expect my nearest and dearest to require those forms anytime soon, Stuff Happens, and I have had what-do-you-want-me-to-do-if discussions with at least two dear-to-mes within the past month because Stuff Doesn't Stop Happening and I happen to be the person the medicos and/or lawyers are likeliest to call should a bad-case-scenario come to pass. Plus, that earthquake in my parents' native province, cancer diagnoses and permutations among friends and acquaintances -- had I any delusions of immortality or other exemptions to begin with, the universe would have blasted them clear out of the water by now. [And I haven't been able to cherish such delusions since I was five, when I vividly dreamt both of being shot to death and of a future self incarcerated in prison without any knowledge of me-in-this-life. Yes, it does skew your world-view when your brain inflicts that on you before you've even gotten out of preschool.])

But, yesterday was in fact terrific -- the kind of day I dreamed about enjoying when I was small. I spent the morning completing my Memphis Open albums and reports for Tennis Buzz, with mashed neeps for breakfast, along with leftover trout from Thursday night's dinner at Prima. I headed across town to vote in a primary, and then stopped at a department store with a gift card, which I used on a new set of steak knives. I also tried on a dress on clearance: the fabric had caught my eye as perfect for an event I'm attending in May, but, alas, the cut did not flatter my body:

right fabric, wrong cut

Still, considering it as a possibility brightened my day, as did the knowledge that I don't have to score a new dress for the event; there are several tried-and-true standards in my closet that would fit the bill. I had another gift certificate in hand for Sally's, where I picked up lipsticks and a sharpener to supplement my currently-too-purple supply, and yet another rebate for Three Brothers, where the sandwich and "signature drink" were delicious, the conversation near me faintly but not distractingly intriguing, and the newspapers and magazines plentiful:

noshing at Three Brothers

On my way home, I stopped at the library to pick up a picture book, and at Woodland Wine Merchant for their weekly tasting. I didn't care for the beers in this week's sampler, but picked up cider and sake while chatting with Tyler, one of my favorite associates. At home, there was time with the dog and time with a friend, and glossy magazines, and a poem I finished and submitted a few minutes ago.

It is 63 F right now and the birds are singing oh so sweetly and merrily. I am short on sleep and soon going back to bed. That too is a luxury, and I am grateful.
zirconium: snapshot of oysters enjoyed in Charleston (oysters)
So much happening in Nashville today. Assorted friends and colleagues were at either the Southern Festival of Books or Frist Center events, especially in relation to the Shinique Smith show. My Twitter timeline seemed to be checking in from either Oktoberfest or the Grace Potter concert. I was tempted to walk to the trunk show hosted by my yoga studio (especially on hearing that hot whiskey cider would be served), and equally tempted to stay home and nap, since I'd stayed up longer than I should've rereading a Lee Bros. cookbook.

But I had reserved a spot in the free 9 a.m. screenprinting workshop at Plaza's Hands On Creativity day, so that's where I went after breakfast. The hands-on part of that session involved applying glow-in-the-dark ink to a t-shirt, which is now on my ironing board upstairs, awaiting the heat-before-wearing/washing step. (Note to locals: there are workshops and demos on various topics through Sunday, too.) To my relief, the group opted for the skull-with-flowers design rather than the four-leaf clover pattern. The rep warned that the blue ink we selected would not glow as intensely as the original practically-invisible-in-daylight formula, but I was willing to make that tradeoff, especially since it sounded like the latter might register as yellow (which, no thanks. I have plenty of dingy-looking shirts already).

While at the store, I also picked up a copy of Huis Clos, a new paper I'd heard some buzz about. The "What's It Like to Bike That Pike (Volume VII: Murfreesboro Pike)" column was both fun and informative enough read for me to see if the earlier installments were online, but I've come across only an abridged version of the feature on Hillsboro.

After a stretch of housework, I went back out to Charlotte Pike, dropping off dry cleaning and picking up twenty pounds of rice at K&S, along with a sack of snow pea leaves. Chinatown and Lucky Bamboo have both been out of those greens the past few times I've attempted to order them, so spotting them was today's winning-the-shopping-lottery moment. On the way home, I stopped at Sweet 16th for kung pao quinoa and an Elvis mini-bundt cake.

After lunch, it was back to Plaza for the Gamblin workshop, which involved 2- and 3-D color wheels as well as extended discussions about layering and opacity/transparency:

Gamblin oil demo

The take-home samples included a bottle of Galkyd Lite, a bottle of Gamsol, and a tube of Torrit Grey. A new pair of products of particular interest: solvent-free gel and fluid, which are sufficiently non-flammable that artists can bring them onto planes.

On my way out, I spent a couple of minutes at the Winsor and Newton table, where there were markers and blenders to play with. On my way home, I stopped at Woodland Wine Merchant, where today's tasting was from their barrel of Eagle Rare. Its smell? Glorious.




Upper Rubber Boot's prompt 27 for 100 Untimed Books is "dog-eared." That entry is over at Vary the Line.

Prompt 28 is "water":

28 - water
zirconium: sculpture of owl at Cheekwood, Nashville (Cheekwood owl)
Upper Rubber Boot's prompt 25 for 100 Untimed Books is "skyline."

26 - the same names

The two skylines that have lifted my heart the most often are Chicago's and Nashville's. Riding the bus from Kentucky or the train from Michigan to Chicago. Giggling at Nashville's Bat-building countless times.

I am kind of tempted by this painting party, but Music City Masquerade is also that weekend (not to mention music to rehearse and perform, and letters to letter, etc.). Oh, the choices ...
zirconium: black pearl pepper plant at Cheekwood (black pearl pepper)
My stop at Cheekwood Saturday afternoon had been a maybe on my list. I'd gone to an intense dress rehearsal in the morning, and was torn between wanting to sleep for twelve hours and wanting to enjoy a change of scene.

The sun shining and a dining discount won out: I stopped at 360 Bistro for lunch (white port, scallop-grapefruit salad, fig cheesecake, and tamayokucha tea), where Colombia vs. France was on the TV, and then said hi to the black pepper plants...

Cheekwood - Plensa

... and the tree-hugging statues (Purcell on a back, Schubert around a neck, Monteverdi at a waist, Mozart on a hip...)

Cheekwood - Plensa Cheekwood - Plensa Cheekwood - Plensa

... and enjoyed part of documentary not only on the screen but reflected in a nearby door:


Cheekwood - Plensa Cheekwood - Plensa
zirconium: Unitarian Universalist chalice with pink triangle as base (rainbow chalice)
A June tradition at my church is Music Sunday, and this coming Sunday, at 9 a.m. and at 11 a.m., the choir will be performing a new setting of Darrell Grant's Ruby Bridges Suite.

It is going to be outstanding. Darrell Grant is on piano and keyboard; man can play. Brian Foti on drums -- ditto. Same for the guy on string bass (whose name I didn't catch, apologies!). Connye Florance is one of the soloists (I haven't heard Lari White yet, who's another). Majic Jackson narrating, with words by MLK and Maya Angelou and others. The gifted and dedicated Seth Adler working sound. Yes, I'm name-dropping, because some of you locals need that to get you out of the house on a summer morning (and I include myself in that group).

Some of the songs have had me tearing up as I study them. The text alone won't convey why -- it's the rise and fall of melody and harmony that hits me in the gut -- but here are some of the lines anyway. In "Hold My Hand," Ruby's mother sings to her:


Hold my hand, child, hold my hand
Someday you will understand
Straight ahead, child, never fear
God is watching, love is near

For the world, child, is not fair
Danger follows everywhere
Lift your eyes, child
You will see
God is watching
You are free


And in "Come in," a teacher sings to her student:

Ruby, you're a special one.
Pray that I can see you through.
There's so much meanness in the world
but you should know they don't see what I see.
In here you're just a little girl
who has a right to learn who she can be.

With faith, and time,
you'll see that I believe in you.
We've much to learn, we two.


Darrell says he spent twenty years writing the finale, "We Rise," originally composing it for a sophomore album that fell through, and then revising it periodically (with a four-bar stretch that kept defying his attempts to perfect the piece), and then realizing that all the great creators resort to "shims" at times, and later recognizing that the suite was where the piece belonged...

Rise up, brand new day
You know that love will find a way
Together we cannot be broken
Up from the bitter past we rise
To build a world where peace is spoken
The time is now
At last we rise
This time the circle can't be broken
This time the ghosts of hate must die
We'll throw the gates of Freedom open
The time is now
At last we rise


Again, the music is essential -- left to my own devices, I don't know that love will find a way, I see circles broken every damn day, and on, and on, but when I'm singing those words, my unbelief doesn't matter. Rise up, brand new day.

Like many other commuters, I've been cranky about the congestion amplified by CMA Fest (a friend retweeted Gretchen Peters's quip about meanderthals, and I admit I laughed out loud) ... but I've also been entertained by the skin and plumage on display, and I managed to miss the fish parts on the interstate snarl-up, and I give thanks yet again for the pleasure of living in a city with session players on virtually every block. When I got home tonight, the rock cellist and/or guitarist (not always sure what the instrument is, but the playing is consistently good) who lives a couple of houses away was practicing licks.

Music in the air, fireflies in the yard, doggie at the door, piano waiting ... praise.
zirconium: snapshot of my healthiest hollyhock plant (French hollyhock)
Today's subject line comes from Sam Anderson's piece in the NYT Magazine on blind contour drawing:


It turns out that the world, on close examination, is gloriously strange. Things are lumpier and hairier than we have been led to believe. . . . Sleeve wrinkles can be as beautiful as the most exotic flower. Every object (book, pencil, glove, banana) is in fact a bewildering universe of lines.


Today has been a letting-my-brain-regrow day, what with logging over sixty hours of work this week between the day job and a side project. There have been some weird-even-for-me meals, what with the piling up of dishes and deferring of grocery shopping and miscalculating of minutes left in my lunch break: today's mint-chard-miso soup was a result of me shredding the greens and herbs for a salad on Thursday, realizing I had to returning to the office before I'd finished assembling the salad, and then coming home to a frozen slab of leaves because I'd neglected to wrap the plate in plastic wrap before shoving it into the fridge. Oops.

I was stone tired all this morning, so for breakfast and lunch I supplemented the leftovers with runny fufu:

fufu

For dessert, some jello I'd made with agar-agar I'd bought as a prop for my Heartbreak Happy Hour performance back in February:

Filipino agar-agar bar agar-agar dessert cups

For dinner, I might roast a chicken. But the BYM is frolicking with goats today, so maybe I'll just make another mint-chard salad and do the rest of the dishes and trim dead leaves from the tomato jungle:

tomato plant

Without the cooking and cleaning and contemplation, there would not be the stamina for helping with the constructing and chronicling of more glamorous events and exhibitions:

The Frist Center at night
zirconium: me @Niki de St Phalle's Firebird (firebird)
Abby

As do all other weeks, this week has had its share of derps and dammits and disgusting nightmares (trashed-to-the-rims bathrooms to clean -- thanks, Subconscious of Zero Subtlety). But, as with all weeks, there have been pleasures and blessings, including:

  • Iced tea and a Kentucky Hot Brown at Madeline.


  • Sanjay Patel's Ramayana: Divine Loophole. (The link will take you to an entry at Book Scribbles, where Jen posted some photographs from the book, including the bears and vanaras building a bridge rock by rock.)


  • My friend Knight won Gannett's Innovator of the Year Award.


  • She and several other Nashvillians invite you to Girls To The Moon, a one-day "campference" this September for girls (ages 8–13) and their parents/caregivers.


  • My mama pepper seems to be enjoying its new pot. (Now to cover it and all the other plants properly before this weekend's cold snap...)
  • zirconium: photo of Greek style coffee, Larnaca, October 2011 (coffee in Cyprus)
    my life in a snapshot

    Worker bee + hedonist = cappuccino + Old Fashioned

    and writing during and between courses
    zirconium: photo of fabric elephant-shaped tissue holder in Thai massage parlor waiting room (elephant at Smile Thai)
    since your wedding when you have to Google one of the names on the announcement list, because you no longer remember what that person looked like, let alone why they were either close or important enough to be on list.

    (Doing some more purging of papers before the next shift of easel-work. Ditched: notes for my BA thesis, supporting docs for my parents' early 1990s tax returns, coupons that expired this past Sunday ...)

    In the meantime, the crepe myrtles and other trees/shrubs/what-have-you look spectacular. I haven't been outside today; these are from Monday:

    ice storm in Nashville

    ice storm in Nashville

    ice storm in Nashville
    zirconium: snapshot of cookie cutter star from sorghum marshmallow making (Default)
    ...the Titans were predictably ending their season with a whimper, and I had an errand that couldn't wait anyhow, so I picked up my camera and walked around the 'hood for a while:

    Sunday after Christmas

    Read more... )
    zirconium: Unitarian Universalist chalice with pink triangle as base (rainbow chalice)
    Victoria

    ... but I wasn't expecting the back spasms during yoga this morning. Those were new. (The flare of foot cramp was not, alas.) Fortunately, it was a very small class (four people), and silent (by design), so I didn't feel conspicuous easing into the poses I could and modifying (or simply dropping) the ones I sensed were too risky for today's practice. (I also managed one of my better toe-stands ever. Yay!)

    kitchen floor, with dog

    The stiff back also made scrubbing the kitchen floor more challenging than it normally would have been. (The dog planting herself in the way is customary.) I took some time to rip up some old shirts and linens to use as rags, which was satisfying (especially the destroying of a pillowcase where I hadn't been happy about the seller's shenanigans, but backing out of the transaction would have been more trouble than it was worth. I did like the fabric and design of the set, and it served me well for something like fifteen years, but still, there was that frisson of pleasure in casting out what was left.)

    Last night I sang lessons and carols with a subset of First UU's chamber choir at Riverbend Maximum Security Prison. There was both literal and figurative warmth there (well-heated chapel, hugs between inmates and ministers...) but there was also an instance of institutional rudeness as well as broader reminders of it being a place where weariness and mistrust -- with reason -- seem to be in far greater supply than hope. Even with reminders every damn day about the messed-up-ness of U.S. law enforcement and penal systems, it's something to wait at and walk through all the checkpoints. To surrender one's ID. To be thanked for showing up because there would be no one else visiting.

    One singer mused afterward about the balance that we must wrestle with. To paraphrase: "I was watching the faces of two of the men when we were singing 'Lo, How a Rose E'er Blooming,' and of how seldom beauty must be in their lives, and yes, you know they're in there because they've killed people, and that matters, but you also have to think about how to help them so that they can return to society, and beauty is essential to that."

    Nashville police chief Steve Anderson has been making headlines in a good way, with nearly 7200 tweets, Facebook links, and the like of his Christmas message to the department and a reply to a critic. (Anderson earned my admiration earlier this year for speaking up against a judicial good old boy's mishandling of domestic violence cases.)

    Yesterday's mail delivery included a slew of cards (I was pleased to have so much company in the "getting it postmarked by the 24th will be good enough" ark [*]), and today a friend (who will next see me early next year) asked me what I wanted for Christmas. Maybe I won't pitch the wreath into the brush pile just yet. :)

    (* And honestly, if you feel like exchanging greetings with me, I do that year round. No need to hitch it to a holiday central to a religion I don't happen to belong to, though I do like the glitter [dodges glare from the other biped in the household, who was brushing it out of his stubble two evenings ago]. I do need to thank the post offices [yes, plural] with cookies, baking being another must-do item on this weekend's list...)
    zirconium: snapshot of cookie cutter star from sorghum marshmallow making (Default)
    From Sophie Appleby, via Kat McNally:

    In the busyness of the everyday, taking time to nourish the soul doesn't reach the top of the 'to do' list as often as it should.

    What nourishes your soul? How would you like to incorporate more of this into your life in 2015?


    Night 2


    This year, there were a handful of Fridays where I was able to stay offline from sundown on Friday to sunrise on Saturday, and sometimes even until sundown on Saturday as well.

    I'm a happier woman when I can manage it. It can be time for reading. Time at the piano. Time with crayons and pencils and markers. Time with my plants and seeds and my plans for them. Time ironing -- which is, yes, a chore, but also a pleasure, in wearing clothes and using linens that look and feel better when cared for in that fashion. Time with the dog. Time sifting through old papers and keepsakes.

    It sharpens the saw, to borrow Franklin Covey terminology. It brings a bounce back into my brain. It forces me to wait for answers instead of racing toward them, and insists on my enjoying slices of the "someday" ("someday I'll read that book..." "someday I'll get the hang of sight-reading pieces with umpteen sharps in the key signature..." "someday I'll expand those eleven words into a full sestina...") that I would otherwise not get around to anytime soon.


    my hanukkiah at work


    Tuesday night, I was so dead on my feet that lighting candles was out of the question. Tonight was nice, though. It was a long day at the office and there was yet more work-related stuff to deal with when I got home, but once that was out of the way, it was time for light and for some writing and wrapping.

    I sketched this hanukkiah a couple of weeks ago during a visit to Martin ArtQuest Gallery at the Frist Center (where, full disclosure, I'm currently working as their interim editor). Earlier this week, I spent the end of my lunch break at another crafting station stocked with metallic crayon-pencils and translucent bookmark, the better to add a chalice to my bulletin board:

    my bulletin board (detail)

    (Yes, Michigan tweeps, that's a Zingerman's postcard. I dig the moose and waterfowl.)


    On a related note, here's what's happening at the Center the rest of the year, narrated by the newbie: http://fristcenter.org/calendar-exhibitions/detail/at-the-frist52
    zirconium: snapshot of cookie cutter star from sorghum marshmallow making (Default)
    Yesterday, I went to the 12:30 p.m. performance of Tuba Christmas Nashville, a gathering of 148 tuba players who'd gathered at First Baptist Church that same morning for their one and only rehearsal, and then performed an earlier concert at 11 a.m. How awesome is that?

    horns up

    There were so many tuba players that they couldn't all fit on the stage -- some of them were seated in front of it.

    Read more... )
    tuba christmas 034
    One of First Baptist's trees, at the corner of 7th and Broadway.
    zirconium: snapshot of cookie cutter star from sorghum marshmallow making (Default)
    I spent the first part of today at Art Camp, and the highlight for me was an impromptu session led by Amanda Micheletto-Blouin, the manager of Jerry's Artarama. Read more... )
    ArtCampNash: Jerry's Artarama
    zirconium: sculpture of owl at Cheekwood, Nashville (Cheekwood owl)
    Rachel Lee Harris: What's one of your favorite cities on the schedule?

    Lynda Carter: What's so interesting about Nashville is that it's progressive. It really feels like it's alive. In any part of the airport, while you're waiting for your plane, you can go listen to a live country band. There is so much talent.

    - http://www.nytimes.com/2014/04/06/travel/lynda-carters-travel-tips-from-water-to-walking.html

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