Feb. 7th, 2016

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More often than not, it cheers me up when a Vaughan Williams setting is included among the opening hymns. This morning started with the Down Ampney tune, with verses by Bianco da Siena (died c. 1434), translated by Richard Frederick Littledale (1833-1890) with further alterations by the hymnal editors:

Come down, O Love divine,
seek thou this soul of mine,
and visit it with thine own ardor glowing;
O Comforter, draw near,
within my heart appear,
and kindle it, thy holy flame bestowing.

O let it freely burn,
till earthly passions turn
to dust and ashes in its heat consuming;
and let its glorious light
shine ever on my sight,
and clothe me round, the while my path illuming.

And so the glory strong,
for which the soul will long,
shall far outpass the power of human telling;

for none can guess its grace,
till we become the place
wherein the holy Spirit makes a dwelling.


Sanctuary
First UU Nashville sanctuary, September 2015

The Story for All Ages featured Moses arguing with God about returning to Egypt, and the pastor spoke at length about astronaut Edgar Mitchell during her sermon. Between those two points, the worship associate read Neruda's Keeping Quiet and the chamber choir sang Malcolm Daglish's setting of Wendell Berry's "To the Holy Spirit":


O Thou, far off and here, whole and broken,
Who in necessity and in bounty wait,
Whose truth is light and dark, mute though spoken,
By Thy wide grace show me Thy narrow gate.


Cheekwood
Cheekwood, December 2015

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