zirconium: photo of squeezy Buddha on cell phone, next to a coffee mug (buddha and cocoa)
In Jen Hoffmann's post on responding to difficulty, she uses a V-formation analogy to distinguish between different states: "Back of the flock tired," "Middle of the flock flapping," and "Lead goose energy."

This brought to mind Havi Brooks's 2010 post on safe rooms, which speaks of different versions of ourselves taking turns at the front of the V.

Which in my mind ties to marymary's "I'm doing the best I can not to lose myself over my limits," which accompanied her photo of two tall, cool drinks at http://okrablossom.dreamwidth.org/93575.html. And to conversations I had during yesterday morning's horseback ride (a belated birthday present to a friend) and yesterday evening's shindig (a neighbor's birthday celebration).

My ride was on a rescued paint horse named Punk. (Birthday girl was assigned to one named Duchess.) There were a few feisty moments -- I got "Good cowgirlin'" from the lead guide after one contentious turn -- but it was a sedate ninety minutes, for the most part. There were brilliant green patches of moss along a creek bed and swaths of daffodils in the middle of the woods. The guide riding at the rear of the line regaled the stylish women behind me with tales about life in New York, as his day job for most of his life has been styling hair for A-list celebrities.

The party guests included a bloke who looks fine (both health- and attractiveness-wise) but cheerfully reminisced about how a tree practically trepanned him a few years ago -- skull exposed, neck broken, vision permanently compromised. By that point of the evening, I very much wanted to go to bed, but I also wanted to keep learning more about everyone in the kitchen.

Some notes to myself, typed back on November 24, 1989:


next week: just meet all of the bloody deadlines, including the poetry. no matter what [writing workshop professor] thinks.
if you love it enough, it will get done. better imperfect done than perfect unfinished.

...my reflection in the mirror, interviewing myself. black sweater and stretchies, dark green skirt, hair almost schoolgirl back--straight, scarved in black, lips firm together. ... Peggy Bevington and her long gray hair in a braid. ... when you talk to her and D. both you sense a joyfulness--in her more quiet, but an enjoyment. In D. a theatricality, a pleasure in reading the lines in front of other people--assured, no apologies for not being du Maurier.

In bed until two p.m., then cake and corn grits, if only because their middles kept sticking to the middle of the pan. Sigh. Asked J: "Well, which would you prefer, a good body or a good cook." Smiling: "You can always learn the cooking."

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